Despite how it might seem at times, not sure the alphabetical journey through my musical collection is long enough to be split into eras.
But there are distinct periods – occasionally of complete inactivity – through which it is possible to map the progression of the journey.
Sort of a digital version of geology, but rather than thousands of years of pressure revealing layers in the rocks, this is mapped out by the evolution of digital music.
If my memory serves, we have gone through two iPod Classics – the much preferable ones with the wheel they do not make any more – and three iPod Touches.
Two of which are still going and will head to Africa, albeit one with a cracked screen because it was in my back pocket after supplying pre-wedding music and forgotten about until the photographer asked us to sit on a rock.
The much newer, more expensive phone emerged unscathed and has provided most of the music over the last year, if only because it means fewer things to cart around the gym.
There has been a few pair of headphones along the way, from in-ear cables, over-ear cables and a couple of pairs of bluetooth headphones which, this week, have been supplemented by a pair of ear buds.
Which am pretty much guaranteed to lose at some point.
If how the music is provided has changed, so has how and when it is listened to (if not the volume, whatever the digital warnings keep saying) for starters, not the only one in the house so blaring it out is no longer an option.
But my listening habits have evolved rather more naturally than that.
There was a time when barely stepped outside without headphones clamped over my head, a habit which started with various Walkmen (other brands were available – and cheaper) taking the dog for a walk.
Music was invariably plugged in while driving – unless listening to sport on the radio – and on the bus when my long-serving car finally came to the end of the road ahead of going to Africa, when the headphones were never too far away during truck days.
The lure of long sessions listening to music helped take me on long walks and to the gym while getting conditioned for heading back on the road in South Africa but, whisper it quietly, have increasingly left the house without headphones as the years have rolled in.
The bulk of the A-Z listening these days, bar the odd catch-up session at home when normally pick other options to listen to, is again back in the gym.
Which has become part of the routine. If not quite daily, usually four or five times a week – the advantages of being glued to UK time while working in Australia and finishing at 4pm for half of the year between clock changes – which means progress through the alphabet is at a decent rate.
That is not the only advantage of going to the gym. The others are a bit more expected.
In the early days of the blog, wrote a few times about how getting fit was pretty much a fixture at the top of the to-do list. Mainly because never did anything about it and it just kept getting pushed onto the list for the next day, week or month.
Was fit enough to deal with Africa, just not as fit as would have liked, so did something about it before heading to South America, just not quite what was planned.
Managed to lose a fair amount of weight, but fitness was hit – almost inevitably, given my record – by injuries.
The first, totally inevitably, was my back from pushing too hard too early in the gym. The second, a calf issue, popped up amid a lot of swearing as attempted a couch to 5k programme.
A couple of weeks off was not quite enough as the calf went pop again pretty much instantly, the osteopath imposing a ban on running (more than happy to oblige) ahead of a gradual return via a static bike and a programme of my own invention, designed to get me in shape to walk the Inca Trail.
Not sure anything can really prepare you for that, especially flat walks alongside a canal, but lengthy sessions on treadmills with the incline being constantly increased did the trick and headed to South America in good shape.
And walking at the same speed which the treadmill had been set to, right up to the point the path really pushed uphill.
Lockdown, a knee issue aggravated first on a Patagonian hillside – with the very step on one of the options on the gym’s treadmill screen – and an uneven Gloucester pavement (which ended any lingering desire to get off the couch and run 5k, as well as prompting physio sessions via Zoom) and lack of motivation as the world closed down did little for my fitness or waistline.
Joining a local gym was a fairly early thing ticked off the list after arriving in Australia, only for an induction session – which ignored building up fitness in favour of seeing how close they could push me to throwing up on the ski erg machine – to squash any residual enthusiasm.
Attendance was erratic, but with getting fit again topping the to-do list for another African adventure, headed back, got in conversation with a new personal trainer and took the plunge.
And 10 months later, it has paid off.
Not going to be running any marathons or considering a comeback to rugby, but feeling the benefits.
That ski erg, avoided like the plague for so long, is now just a warm-up and while some of the positions suggested for stretches remain a pipe dream and a few sessions with the trainer have had me regretting my choice of breakfast (or lack of it, big mistake), more than happy with my progress.
For starters, no longer feel an outsider among the gym bunnies. Belong there, doing my thing which has got me fitter, stronger and more flexible. Well, a bit for the last one.
And, a niggling bicep apart, not even injured (he says, touching wood, hoping not to jinx it).
The back still hurts. Have learned to live with that over the last 30 years. But stretch it off, walk away and come out of the gym feeling fine. Even good and bouncing. Well, some of the time.
Will keep going, working through my three personalised programmes a week with one or two more thrown in, until we head to Africa, soundtracked for the next few weeks by songs beginning with N.
Which will take their place in another new era for the blog.
We have worked our way through a few different approaches to the music on the blog – shoehorning it on the end of something totally unrelated, focusing purely on the music, a mix of the two approaches and even a couple of live posts.
But for the coming weeks, we will turn the focus back on the music with a few posts in a diary style – whatever we lesson to each, be it just a couple of tracks or a few hours worth of listening, will pick out the pick of what pops into my head while listening (the shareable bits at least).
Will post when there is enough to make it worthwhile.
It should help keep things moving as the pre-Africa to-do list continues to tick along, as well as focus on the music and use some of the thoughts which pop into my head while listening, but which have to make way for length.
Or have simply forgotten.
That will kick off with N, a relative sprint of 544 tracks beginning with number 9,892, but before then we need to mop up the tracks from A-M which have been added in to the collection earlier in the journey.
Which are largely the new additions since we started M in March, the tracks and albums jostling for position in the best of the year lists – helped by time to get to know all of them on the back of a truck and the fact there is likely to be few, if any, new additions after a potential rush of downloads in early October.
As well as making regular appearances on those lists – to the point a category has been invented for her a couple of times – Phoebe Bridgers soundtracked the injury-stricken pandemic attempt to run five kilometres with Punisher (top of the list in 2020).
And she has soundtracked the last couple of days with her new album Lost Weekend.
First impressions are good and her best work has a habit of revealing itself on repeated listens, so that is the plan among the A-Z for the next few days at least.
Was a bit non-committal on lead single Lost Boys for the first couple of listens, but once it peeled away the layers and took root in my head (to mix any number of expressions), it revealed itself as vintage Bridgers.
The as-yet unclear end-of-year lists may start to take shape with a few more listens.
Man/Woman/Chainsaw’s debut album was released just in time to sneak a few tracks into the catch-up – whether they make it onto the list come the end of the year, but the early signs are pretty good (although not quite as sold as on regular reader appears to be).
They are a young band that almost do what it says on the tin.
They have a man singing, a woman singing, they have… well, maybe not quite a chainsaw but there’s something akin to some decent gardening equipment when the kick it up a gear.
If there is anything akin to a chainsaw in this section, it comes from Sugar.
That same regular reader blames us seeing them twice in a few days for his tinnitus.
My hearing – despite attempts to persuade my wife to the contrary at times – survived intact, although had only just recovered from the first one by the time we went again (although did twist an ankle in the mosh pit, which probably tells you how long ago it was).
Tinnitus or not, my gig companion has seen the reformed band, while Australia has had to make do with a couple of singles. It is not Copper Blue, but Bob Mould releasing new music is always a good thing.
Slightly – well, much – quieter, Kevin Morby and Bill Callahan cropped up fairly regularly on the catch-up journey from Snail Mail to Rosalia, and certainly need more attention, as did Courtney Barnett, The Twilight Sad (fuzzy Scottish shoegaze), Mitski and The Coral.
The Mary Wallopers cropped up with three new tracks (some of their next album will have to wait for the next catch-up), at least one of which is likely to annoy anyone draping themselves in a flag rather than understanding of the history of why it might upset some people.
Particularly some near neighbours.
Aldous Harding and Cardinals still have some work to do to grab attention – Cardinals in particular, hotly tipped and enough good ideas which somehow get overtaken by something which steers it in another direction.
It is not all this year’s stuff, there are a couple of albums from last year was possibly a bit late to (although one managed an honourable mention on the last list).
Nick Cave’s Live God provided a few tracks to this stretch, all of which were very welcome videos – particularly the wonderful version of Into My Arms.
Cave is one of those artists always felt should cherish and know more about, but increasingly coming to the conclusion that this is the best way to interact with him.
An entire album of this stuff is just a bit too much. A bit overwrought.
And then there was Rosalia.
Resisted for a while, but despite all the red flags – opera, classical, foreign languages, an album about saints – Lux is just a really good album.
Totally bonkers, but demanding of attention, however long the journey.













