GOD. to Good Man

WE have touched before on this journey about how certain songs can transport you to places and times far away.

In a sense, that’s what this A-Z journey through my iPod is all about (apart from catching all the bits that have somehow hidden undiscovered), stumbling across tracks that spark something in my head vivid enough to jump out onto the page.

Many tracks have taken me back in time, to places from my travels or people encountered along the way. Ryan Adams  even summoned memories of a bank holiday kitchen clean and ongoing battles with an errant flatmate.

Goddess On A Hiway takes me back to two days on a sofa in a French ski resort.

Not just Goddess On A Hiway, the whole of Deserter’s Songs brings back a long 48 hours or so when venturing too far from the sofa, doubling as my bed in the small apartment for a week’s skiing on a budget, would have been far more of a challenge than any black run.

It had all been going pretty well for the first few days, exploring the pistes (limited, but enough for us) and the evening delights (seriously limited) of Val Cenis, not a resort as much as two strung-out villages on the valley floor lumped together under one marketing umbrella.

We’d investigated pretty much every bar (think we’d covered that on the first night), becoming regular enough visitors to have our favourite spot at the bar in the one nearest the apartment. Next to the bloke who operated one of the lifts having his late-night pastis.

Food options were not that much more plentiful and we had revisited the one main option – small, rustic, nice tartiflette – before heading to the quiz night arranged by the various reps in the resort to bring their various clients together.

And just as we were waiting for the questions to start, it became obvious that maybe the tartiflette was not quite so agreeable to my system and it was a quick sprint – very quick, considering my health, state of fitness and the icy roads – back to the apartment.

Will spare you the details, suffice to say it was a double-edged impact through a long night (and no doubt very unpleasant one for the person sharing the facilities with me) and many ski trips later have still not managed to face another tartiflette.

But it did leave me on a sofa listening to Mercury Rev for a couple of days.

There was another album on the flip side. Pretty sure it was The Bends. The years don’t quite add up, but my cassette version did play slow so pretty good chance it got taped onto a C90 – part of the routine ahead of each new year ski trip.

Along with my back giving way and a trip to osteopath.

Had thought it might be Grandaddy’s Sophtware Slump, but too early. That must have been the soundtrack for another ski trip, Livigno if my chronology is right.

It was definitely Deserter’s Songs in Val Cenis. And it provided the soundtrack to reading Douglas Coupland’s Girlfriend In A Coma.

The Smiths may have provided the title – as briefly glimpsed in the previous post – but rarely can a book and an album have been created to work so well together. At least for a bloke feeling rather sorry for himself on a French sofa.

There is a theme running through the album of leaving (walking away according to front man Jonathan Donahue), but more of a mood which fits in with Coupland’s eco tale  of unexpected second chances and sacrifice – both personal and global.

If somebody ever makes a film of the book and does not use Deserter’s Songs – NME’s album of the year in 1988, when it is was still relevant and worth consuming, but we’ll get to that in the next post – is missing a trick.

It is not the only album or C90 that brings back memories of a holiday, a rather different one to the Greek island of Zakynthos soundtracked by the wondrous Doolittle by the Pixies and the eponymous debut from The Violent Femmes.

There’s tales to tell – just not here – about moussaka, suppositories, darts and girls from Blackpool to the sound of Black Francis and Gordon Gano, who popped up twice on this latest stretch of my iPod from Kendrick Lamar (see, it’s not all “white boys with guitars” to quote John Peel) to Eileen Rose with Gone Daddy Gone and Good Feeling.

There’s also been contributions from a couple of acts installed on this summer’s gig list, actually on the same night in (bizarrely) an arboretum – God’s Footballer by Billy Bragg and Good As Gold by The Beautiful South (actually just two of the band at the gig, but you get my drift).

And there’s been plenty of stuff from people who crop up in my live history.

Echo &The Bunnymen were my first proper gig and are also on the list for the next few months (with full orchestra evidently) and we went right back to the early days with Going Up.

Seen Carter USM (Good Grief Charlie Brown) multiple times early in their career, courtesy of their habit of playing the Banana Club at Gloucester Guildhall, while saw Sugar twice inside a week.

Surprised my hearing had come back in time for the second gig, both of which were opened with the triple-headed assault from the start of the still great Copper Blue album of which A Good Idea sits in the middle (by which point was hopping around after standing on a pint glass in the mosh pit first time round).

Also saw REM twice in a week – a contender for best gig in Newport, not so much in the bigger surroundings of the NEC – and they popped up with Good Advice (not one of their best). Ryan Adams would also be high on the best gig list and he popped up with Gonna Make You Love Me.

The Wonder Stuff (supported by Ned’s Atomic Dustbin) would not be so high on the list, not just because of the effect on my ribs of being wedged against the barriers before spending a night shift pressure testing fuel injection systems. Not to be advised with sore ribs. They popped up with Golden Green.

Never got to see The Jam (not that old) who cropped up with Going Underground. but did see Buffalo Tom (who provided a cover) and judging by early hearings of their new album it may be time to end a long wait to repeat the experience.

Sadly, never got round to seeing Pavement (Gold Soundz, twice) or Super Furry Animals (Golden Retriever), but have sat across a Cardiff pub from various members of one of them on a few occasions.

Might even have been sat on a sofa.

photo by: eldh
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Blackhole to Blue-Eyed Pop

DON’T blame it on the sunshine, don’t blame it on the moonlight, Blame It On The Tetons.

Not sure exactly what Modest Mouse had in mind when they attempted to pin something on the chunk of the Rocky Mountains just south of Yellowstone National Park.

But doubt they were thinking of small, furry creatures, this blog and an alphabetical journey through an iPod.

P1040469a
Norman

Yet glance to the top of this page and name of this site and it all owes a great amount to a few days in the Tetons (or the Tits as the early French settlers would have had it).

Sat up on top of this and all pages on this site is Norman, who has left a legacy from three days staying in the Tetons en route between its bigger, better known National Park cousins, Yosemite and Yellowstone.

Norman lived on the banks of Jenny Lake, where the group of us who were journeying across the US on the final leg of our London to New York overland adventure, headed out for the day.

While his furry buddies scurried off into the undergrowth, Norman assured his place in posterity by remaining totally nerveless as our group of three stopped on the path and pointed camera lenses in his direction, even having the decency to stop rooting for food long enough to sit up and face us.

Jenny Lake
Jenny Lake

Why Norman? Not quite sure, the moniker was given to him by one of my walking companions and it stuck, especially when his picture started popping up in the collections of pictures from three months on the road – longer for those of us who extended our times in the States.

Why he holds such an exalted role in this site is less certain.

Late one evening, the idea of transferring the initial London to New York articles from a community blogging site to this personal one was being kicked around during a stay at an old friend’s who knows something about that sort of thing.

The next morning, the same friend had got up early and greeted my bleary-eyed arrival with this newly-created website and, somewhere along the way, Norman’s tale provided the inspiration for the name and the Travel Marmot was born.*

Blame it on the Tetons indeed.

Not that Norman is the only thing which made the Tetons stick in my mind. Far from it.

We arrived having driven up from San Francisco, via a beautiful, sweltering day in the open-air cathedral formed by the peaks of Yosemite, up through Nevada and an incident-packed white water rafting trip on the Snake River at Jackson, Wyoming – complete with a downpour and calamitous capsize for our sister raf,t which left people strewn all over the place and a frantic rescue which probably seemed far more dramatic than it was from our position perched on the edge of a raft being tossed around by the maelstrom.

Snake River Lager
Snake River Lager

Our arrival at Colter Bay, our Tetons base for three nights and not initially something which leapt out of the itinerary, was met with delight as it provided the holy trinity of overland travellers – warm showers, a laundry and a bar, which served a brew called Snake River which we were far happier to swallow than its namesake.

Add in wi-fi, plug points in the toilet block near our campsite to charge our modern-day travelling needs and the most staggering, huge night sky – although the warning of bears around the site ensured we didn’t hang around in the open too much to savour it all on the second night on site.

So maybe it’s not a case of blaming the Tetons, but thanking them.

Modest Mouse’s reminder of those few days popped up as we escaped the Blackhole (kicking off this section courtesy of Beck), stumbled Blind and Blank for a while and ended up tangled up in blue, ending with Blue-Eyed Pop from the Sugarcubes – track number 999.

It’s been an eclectic bag with three versions of both indie classic Blister In The Sun by The Violent Femmes (always a welcome visitor, especially on a sunny drive home after work) and, aptly given its proximity to the death of their final remaining member Tommy, the inimitable intro and force of nature that is Blitzkrieg Bop (albeit one of them by Joe Strummer and The Mescaleros).

Blankest Year by Nada Surf dates back to my first iPod, pre-dating by a few weeks my first laptop, meaning it had to be populated by the contents of my brother-in-law’s, as indeed does Blind Willie McTell by Bob Dylan, just at the time when he was starting to make his mark in my collection.

And you can throw in entries by a couple of old faithfuls – Billy Bragg’s version of Blake’s Jerusalem and Blue Badge Abuser by Half Man Half Biscuit.

There was also two versions of Blight Takes All – one of …And They Will Know Us By The Trail of Dead’s more accessible moments – and all 17 minutes 45 seconds of Blaise Bailey Finnegan III by Godspeed You! Black Emperor, a surprisingly enjoyable and intriguing blast of sound behind an interview with an American survivalist.

Possibly a neighbour of Norman’s.

*The same friend continued his role as the Patron Saint of Travel Marmot by solving an issue which had locked the whole site up before he managed to somehow force his way in. Cheers Jase

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