Best of 2018

JANUARY is far closer than intended and the days are running out before the ice rink and the (still) disturbing green goblin vanish from outside my flat.

So time for another couple of traditions for this time of year – this blog’s end-of-year best album post and the excuses for not posting it earlier.

The New Year’s Day state of the nation post will complete the trinity of Travel Marmot traditions (hopefully without being delayed far longer into 2019 than was intended, one annual favourite that needs avoiding).

The excuse for tardiness was pretty simple and frustrating – especially as most of this best of 2018 list and the appropriate links were sorted a couple of weeks ago. The normal download bonanza after scouring various end of year lists was delayed by a laptop constantly grinding to a standstill, so a few of the late entries may yet move further up the list. Or vanish altogether.

So what do we make of 2018? Seen a couple of reviews claim it had been a year packed full of great albums, but not sure about that.

There has been a lot of good albums, just not sure there has been too many approaching great status. How many will still be on regular rotation in a year’s time or longer?

And there is not one standout – for the first time since doing this on Travel Marmot, there’s not one clear winner (the 2016 list did not pick an album of year, but American Band by Drive-By Truckers emerged as the unrivalled number one.

So it’s a top two. Neither of them reinvent the wheel – one essentially a jingly-jangly indie guitar offering, the other best classified as punk – but both do them with a lightness of touch and reliance on bloody good songs. And there’s not much wrong with that.

Albums of the Year

Rolling Blackouts Coastal Fever – Hope Downs

The Melbourne five-piece rely on a pretty simple template – solid, if fairly unwavering, rhythm section over which three guitarists/vocalists weave any number of patterns that head off in any number of directions but always seem to complement each other.

A debut album – albeit one that has had a fairly lengthy gestation – crammed full of cracking songs, An Air Conditioned Man, Mainland, Time In Common and the summery Cappuccino City among others.

Idles – Joy as an Act of Resistance

Rolling Blackouts had top spot tied up for much of the year but the argument for Idles just became too strong to ignore.

In many ways it is angry young men with guitars raging against… well, what have you got? But it is done with wit, intelligence, no little charm and, tellingly, any number of great songs.

Several standouts – and each end-of-year list seems to have picked a different one, while strangely ignoring the wonderfully snarling Television – but Danny Nedelko is up there challenging for song of the year. And possibly most thrilling Later… performance since At The Drive-In.

Not Really An Album of the Year

Boygenius – Boygenius EP

Regular readers will know my ongoing (mild) obsession with Phoebe Bridgers. She didn’t follow up her wonderful debut Stranger in the Alps, which made the upper reaches of last year’s list, but provided some excellent left-field covers (check out her version of Teenage Dirtbag). And this.

Teaming up with fellow rising singer-songwriters Julien Baker and Lucy Dacus to form an indie supergroup of sorts, they each took two songs into the studio and combined their very different styles to form one excellent whole.

And Bridgers’ Me & My Dog should be on any song of the year list.

Honourable mention in this category to last year’s top dogs Public Service Broadcasting’s White Star Liner EP.

The Always Reliable national treasure of the year

Half Man Half Biscuit – No One Cares About Your Creative Hub So Get Your Fuckin’ Hedge Cut

In a country seemingly hellbent on tearing itself apart and losing any sense of perspective, it is good to know that some things can still be relied on as a sort of national pride.

It is not, as some claimed, among their very finest but Nigel Blackwell’s spot on skewering of hipsters in Every Time A Bell Rings and clueless contestants in Knobheads on Quiz Shows are about the most telling analyses of modern times as you will hear anywhere.

Honourable mention for Mogwai’s Kin.

The Surprisingly Good Comeback of the Year

Buffalo Tom – Quiet and Peace

Didn’t see this one coming from a band once described in one of my reviews for a paper as “the Norwich City of Premier League guitar bands”. That rather dates it but, after both disappeared from view, Buffalo Tom appear to be ahead of the Canaries in revisiting those levels.

Honourable mention for The Breeders – All Nerve

It’s Good But… Of The Year

Low – Double Negative

I’ll throw Wide Awake! by Parquet Courts in this category, but purely by dint of how high it appears in so many lists it has to be Low. It’s OK, but been told more than once it needs several more listens as a whole to really appreciate – that just sounds a little bit too much like hard work.

Time for a rethink of the year

Courtney Barnett – Tell Me How You Really Feel

The second album from Melbourne on the list and once almost consigned to the previous category – good, just not as good as previous efforts from a past obsession.

But went back on the basis of a couple of tracks dropped on a playlist and there’s reward for sticking with it. Maybe the Low fans have a point.

Ridiculously Young, Ridiculously Good Award 

This one is shared, courtesy of the plethora of really good albums from young, female artists and groups this year. Barnett and Boygenius could easily have been in here as well, but think we’ve already got enough claiming the spoils.

Snail Mail and Soccer Mommy add to the singer-songwriter quotient, Goat Girl outdid so much of the indistinguishable lads with guitars that make up much of today’s indie landfill while Let’s Eat Grandma have moved on from their hugely-promising debut, continuing to provide something different and more ideas in one song than most bands manage in an album (which is, mainly, a good thing).

Snail Mail – Lush

Goat Girl – Goat Girl

Let’s Eat Grandma – I’m All Ears

Soccer Mommy – Clean

And worth checking out (or in need of greater air time now the problem downloading them onto my iPod actually appears to have been sorted)…

Deafheaven – Ordinary Corrupt Human Love
Lucy Dacus – Historian
Jason Isbell and The 400 Unit – Live from the Ryman (OK, the songs aren’t new and not a huge fan of most live albums, but many Isbell tracks come alive out of the studio – Cover Me Up heading to a whole new level).
Car Seat Headrest – Twin Fantasy
Dream Wife – Dream Wife
The Orielles – Silver Moment
Yawn – Bill Ryder-Jones
Gruff Rhys – Babelsberg
Colter Wall – Songs of the Plains
John Prine – The Tree of Forgiveness
Camp Cope – How To Socialise & Make Friends

The Not Actually This Year Discovery of the Year

Five Eight – Songs for Saint Jude

Nothing new, but in a year without anything new by The Drive-By Truckers and The Hold Steady, this filled the Americans playing guitars like they are performing in the corner of a dive bar hole. Even if it was from last year.

and finally…

The album missed the list (worth a listen though, if only for driving me back to some old stuff and a brief obsession with all three parts of The Crane Wife) but they summed up much of the world in 2018 pretty well.

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Freedom to Fuzzy

ONE of those Facebook on this day posts popped up in my feed this week, recalling my attempts to adjust to working a Monday to Friday, nine-to-five week.

That was seven years ago and lasted little more than a year during a career diversion out of journalism and in to the travel industry.

But since first switching from a weekly newspaper to a daily – one still embroiled in the unfolding tale of the Fred and Rose West killings when OJ Simpson was about to be more than an ex-sportsman turned actor – my working life has involved weekends.

Until now…

Be it covering rugby matches and the accompanying travelling and writing or producing pages for Monday’s papers, Saturdays and Sundays have been normal working days. 

But no longer. The past week has been the first since our newspapers took the leap from dailies to weeklies and the working week of the production department switched to a standard five-day Monday to Friday.

It’s taken some getting used to, not least because we did it from a standing start after the final daily newspapers, producing the first week’s product in three days.

And it’s not exactly been nine to five – it’s been more nine (ish) to whatever time we have finished. Which meant nine (the other one) on one night and around 4.30 on quieter ones, having wandered in nearer 10.

For people used to working weekends, taking days off in the week and considering leaving the office anything before 7pm as an early finish, it’s all been a bit odd.

What do people do on Sundays? Or with full evenings? Especially once Pointless has finished.*

Our working hours are minor changes in everything that has happened in the office in the last month. And the newspaper industry.

It came as something as a shock to us all. Not so much the decision, more the timing. We knew something would change, we just weren’t expecting it to be so drastic and so sudden.

And, however many times you go through this – reckon my personal redundancy process counter is up to double figures and have somehow survived them all, even the one where my hand went up for voluntary – it is not pleasant to go through uncertainty and see friends and colleagues disappear from the newsroom to uncertain futures.

Been debating what to write about the changes, the reasons behind it, the state of the newspaper industry and the reaction to the decision and a week in, not sure there’s a totally coherent answer there.

There’s several future posts in all that once the dust has settled and, for now, we just want to get on with it.

I remain a huge advocate of newspapers and their role in the world, especially when providing a much-needed scrutineer to politicians – global, national and local – and anyone in a position to make a decision which can impact on readers’ lives.

And, yes, the decision to go weekly would not have been my choice. But, it is an understandable one in the current climate – however many people tell us we are wrong. Right before telling us they haven’t bought the paper in years.

One thing that does need pointing out is the reaction of more than one former colleague or fellow journalists past and present who have jumped in to have their say.

Many have been measured and realistic about the state of the industry, others have criticised and repeated claims they have not bothered to check – most notably that the papers will be “thrown together” by people in another office who don’t know the area and don’t care.

Can assure them, we are based in the area, care about it hugely and the paper and I have never just “thrown together” any pages, article or paper in 27 years doing this. If that happens, it won’t just be weekends I won’t be working on newspapers.

And we’ll continue to check our facts.

The sense of change and end of an era has been echoed by the A-Z journey through my iPod as it reached the end of the F section on this section from The Housemartins to Grant Lee Buffalo – track 3,794 out of 13,090 (for now).

It looked at one point as if the whole journey had ended at The Friendly Beasts by Sufjan Stevens when my iPod basically packed up.

An F word which popped up a few times in this section came in to use, but one thing about Apple is you can find solutions for most problems online – albeit with fairly liberal use of the same F word – and it popped back in to life.

It brought a decent, if not classic, selection headed up by a pair of Half Man Biscuit tracks from across the decades – the early Fuckin’ ‘Ell It’s Fred Titmus and more recent Fun Day In The Park, complete with wonderful rhyming couplet,  ‘Soft play area with free bananas/Iguana Andy and his iguanas’.

There was the familiar figure of Billy Bragg (From A Vauxhall Velox), the lovely French Navy by Camera Obscura (more of them in the next entry), the sadly departed Stornoway (Fuel Up), Full Moon, Empty Heart by Belly – one of those bands rediscovered on this journey – a Jam classic (Funeral Pyre) and Frontier Psychiatrist by The Avalanches which somehow became a bit of a regular on the Trans Africa.

Grant Hart

Continuing the apt timing, there was Friend, You’ve Got To Fall by Husker Du, pretty much about the time the sad news broke that drummer Grant Hart had died. Not without damaging the hearing of a generation of guitar music fans.

And there was Future Boy by Turin Brakes. There’s some decisions to be made as this boy heads into the future over the next few weeks, probably starting with whether to see them live again at the end of the month.

Hopefully we’ll have worked out how this new weekly stuff pans out by then.

  • It’s not exactly no weekend work, there’s been a couple of Sunday hours ahead of finishing this post. More changes in the next month or so will produce even more free time as my journey time from work changes from more than an hour to about a minute. There are plans for that spare time, but more of that to come.
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Everybody Knows That You Are Insane to Eyes Wide Open

There’s the day job, the travel company I run in my spare time, the personal blog website which needs some serious work, sleeping, watching rugby and the gym (yeah right – guess which one has gone by the wayside), so who planted the idea for a new blog in my mind?

THE above message popped up in my Facebook timeline earlier this week in one of those On This Day messages.

There’s a slight amendment from the original, rules of the blog mean names are largely left out of posts so the person responsible can keep his Cornish anonymity.

It came as the blog sparked by that idea reached a landmark, so thought it would be a good idea to have a quick catch-up on how we got from there to here, what here actually is and where we go from… well, here.

That Facebook entry was written in February 2013, so how have things changed in the intervening four years?

The day job remains, in principle, the same. There has been a change of title and a move of a few yards across the office, albeit bar a lengthy detour around Africa and – even more of an adventure into unknown territory for someone from Gloucester – to Bath for a couple of months.

And the way newspapers (remember them?) are put together is a bit different as websites have moved front and centre to everything we do.

The travel company is, sadly, no more. It was (and remains) a lovely idea, based far more on a passion for travel than any entrepreneurial drive.

Still think it could work given the time and money to reach a critical point where it has momentum to roll along.

Sadly we did not have either of those and eventually something had to give, especially as that passion for travel was causing extremely itchy feet (not 100 per cent cured) and that African detour forced a decision to be made.

The time may be right to start sharing a few tales from those days and the main irritant which kept us occupied and became known as The Troll. Even now, choosing my words far more carefully than he ever did.

There is still plenty of rugby being watched (as the next post, already partially written in my head, will attest), a fair amount of sleeping and not enough time in the gym (even though it is actually visible from my flat nowadays).

Which just leaves the website…

Travel Marmot existed four years ago, courtesy of a friend who got up early and built the earliest version before presenting it over breakfast the morning after we had kicked around the idea of transplanting my travel blogs from a hosted site and expanding.

At the time, all it had on it was those posts from  an overland London to New York trip copied across from another site and a few additional articles, which was supposed to be the way it developed.

Until the idea of blogging the A-Z trip through my iPod came about.

The journey had started once before but came to grief somewhere early in the C songs, but had long meant to pick it up again or start anew – a suggestion made aloud in the office which was picked up on by a colleague who came up with the blogging idea.

It took a while to start – a quick look into the archives will tell you that while the idea was made in February 2013, the first post outlining the journey ahead and the rules was not written until March 2014 – mainly because of the time being spent on Epic Overland (the travel company).

But when the decision was made to call time on the business and plan the African adventure, Travel Marmot got a new lease of life and the A-Z journey began,

And three years on we have completed A to E, Eyes Wide Open by Radio 4 rounding off the latest letter at track number 3,222.

It has not been a direct journey – it has not taken almost three years to listen to the first five letters. There’s been a couple of long breaks along the way when travelling (and struggling to find internet access for those blog entries), the need for a rest from it and time demands of work conspired to limit the writing – the listening has never been an issue.

When it started, there was 11,235 tracks on my iPod, which has risen to 12,907 (and you can add 12 from Prisoner by Ryan Adams when it is uploaded to my iPod).

E has actually been the shortest part of the journey so far with 323 tracks (if anyone’s interested, A was 605, B was 871, C lasted 758 and D 765). F awaits – a few asterisks elevating the first track alphabetically – with 514 to come.

Shortest of those has been Ask for Janice by The Beastie Boys (11 seconds), the longest Driftin’ Back by Neil Young and Crazy Horse (27.37). Both will be beaten.

The final section of the E tracks, which kicked off with a blast of Queens of the Stone Age, brought a fair few familiar faces from this journey.

The Wedding Present have popped up as much as anybody (alongside Ryan Adams) and we had three versions of Everyone Thinks He Looks Daft, which is worryingly 30 years old this year.

Fellow regulars Radiohead (the beautiful Exit Music (For A Film) and Everything In Its Right Place twice), New Order (Everything’s Gone Green), REM (Exhuming McCarthy), Half Man Half Biscuit (Everything’s AOR and Excavating Rita) and Belle and Sebastian with Expectations, twice.

Beautiful South (Everybody’s Talkin’), Teenage Fanclub (Everything Flows, twice) and Manic Street Preachers (Everything Must Go) are less regular but welcome visitors, while Rival Schools popped up for a rarer visit with Everything Has Its Point.

And we have even seen the evolution of my relationship with rap.

Back when The Wedding Present were introducing their chattering guitar kitchen sink drama indie pop classics three decades ago, rap had no chance of breaching my jingly jangly ghetto.

But then De La Soul – represented here by Eye Know – arrived with their classic debut album Three Feet High And Rising and things started to change.

Slowly. Ever so slowly. The wonderful Arrested Development followed suit and over the years there has been a gradual exploration of some of the classics – much more old school than what is happening now, but at my age can say that about a lot of music.

Can’t say know much about rap, but know what I like and NWA popped up twice with Express Yourself.

And we’ll see more of them very, very soon…

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Depression Era to Dig For Fire

EVENTUALLY, think my father forgave me for crossing the bridge and decamping to live and work in Wales.

He never quite got the hang of deadlines and would call for a chat after major rugby matches, no matter how many times it was explained to him that the final whistle was when producing sports reports and pages really got busy and was not the time for a post mortem.

If he was still with us (and my career hadn’t, via a circuitous route, switched from sport to news), not sure that would be a problem following my latest move – doubt he would be talking to me.

Wales is one thing, Bath is another. Behind enemy lines. It’s a Gloucester thing.

Bath Abbey. Not viewed from a car
Bath Abbey. Not viewed from a car

But, for a while at least, Bath is my destination for the (far too early) morning commute after a year of travelling and, for the last couple of months, freelancing was ended with a permanent return to the workforce.

Back on the payroll, back to a guaranteed salary, back to paid holidays (yippee), back to only five weeks off a year (booooo), back to the career. And back to being able to give an accurate answer about what my job is.

Well, almost.

It’s all been a bit confusing for the last few weeks, that limbo that became my life on returning from Africa transferring to the office (when it wasn’t still asleep on my sister’s sofa), neither out of work or employed, sat at a regular desk, but without any recognised role, a regular at leaving dos, without having actually started.

“What do you do?” was the short version of what one of our trainees asked at one of those leaving dos.

Best answer at that time was “whatever anyone is willing to pay me to do”. Well, within reason.

It was far too difficult to go any deeper as, at that point, two job offers were on the table, one further afield (and back in sport), one on familiar territory. Sort of.

Having spent a lot of time thinking on the back of a truck over the past year, one clear decision (along with vague plans to do a degree and finally write that book) was that putting down roots somewhere familiar was infinitely preferable to relocating and starting anew, even if life by the seaside had its attractions.

So back home to Gloucester (or Cheltenham, to be precise) it was… or was it?

Stiperstones, Shropshire Hills
Some Stiperstones, pre-descent, evidently

Pretty much a year to the day after leaving, my return to my old company was confirmed, complete with a twist. Not employed by my old paper or even in the old office, my new role was as an employee of the region, dispatched to where needed. Have log-in, will travel.

And where needed is, for the next couple of months, Bath where there is a need for a senior body on their news production desk. As Sam Burgess leaves town, another person not that hot at more than one position on the rugby field arrives – and comments like that are probably why my services won’t be called for on the sports pages.

Three days in and all is going well (at least nobody has told me any different yet), but in a World Heritage City, the main view so far has been the back of the car in front while sat in a traffic jam and questioning the decision to opt for a hire car rather than taking the train (long and circuitous) for the first couple of weeks.

It took almost as long to get out of Bath on my first day as it did to get the rest of the way back to Gloucester. That has improved – partly due to actually finding the right route – but it still means a lengthy commute at either end of the day.

Which means, in the evenings at least (radio in the morning), plenty of progress through the A-Z commute through my iPod (see, almost seamless link).

This latest chunk, plugged into the stereo of the hired Ford Focus with handy display identifying any surprise appearances, has taken us from Depression Era (Patterson Hood) through Desire, Desolation and Diamonds (with the odd bit of Devil thrown in) to Dig A Fire by Pixies.

Manics. Very handy for headlines
Manics. Very handy for headlines

There was also one of my common fallbacks which can be manipulated for headlines involving design (surprisingly common), the Manic Street Preachers’ A Design for Life.

Ryan Adams, almost inevitably, appeared just after with three versions of Desire, which fed straight into Desire As from Prefab Sprout, who also popped up with Devil Came A Calling.

The Devil… section was rounded off by Devils Haircut by Beck while on the opposite extreme, the Sugarcubes gave us Deus (although they are adamant he does not exist).

Paul Simon was the pick of the Diamond tracks (Diamonds On The Sole Of Her Shoes) while another musical veteran ate up the miles – even in a traffic jam – with more than 11 minutes of Desolation Row by Bob Dylan.

A couple of familiar faces popped up twice, Half Man Half Biscuit with Descent of the Stiperstones and Dickie Davies Eyes and Sufjan Stevens with the noticeably wordy Detroit, Lift Up Your Weary Head (Rebuild! Restore! Reconsider!) and, quite apt considering the number of festive stories which landed on my screen this week, Did I Make You Cry On Christmas (Well, You Deserved It!).

But pick of this section was the wonderful Different Day from the equally wonderful Jason Isbell.

Different Day, different traffic jam.

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Contact On The World Love Jam to The Crane Wife 3

In the kingdom of the blind
It’s said the one-eyed man is king
And in the kingdom of the bland
It’s nine o’clock on ITV
Corgi Registered Friends – Half Man Half Biscuit

TRAVELLING souvenirs come in all shapes, sizes and degrees of tackiness.

Barring the odd bottle of ouzo or Metaxa brought back from Mediterranean beach holidays – which never taste quite the same after spending months or years in a suburban sideboard – not many of them have resurfaced at the back of a cupboard during a clean-out before moving out of a flat.

But one of the more memorable keepsakes of my London to New York overland trip popped up in just those circumstances (the others being a surprisingly large collection of shot glasses from a cruise liner and a selection of T-shirts providing a guide to our progress across the USA – and where we were running low on clean laundry).

Three-plus years past its sell-by date may be, but it was still tempting to use it while cooking, such were the memories it brought back and the impact it had on a succession of meals.

Certainly far more than we thought likely when it was thrown, almost as an afterthought, into a Latvian supermarket trolley.

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Multi-Purpose – The pepper which made any number of train meals palatable

And while most of what we brought that day has been forgotten – not all, some of it evokes some less than tasty memories – that magical bottle of pepper has gone down as one of the stars of the trip.

The magic pepper bottle fell into our hands in a scamper around a Riga supermarket on the lookout for food during our upcoming stint on the Trans-Siberian Express.

And… nope, absolutely no idea where this was going.

Written more than 10 months ago, those first few paragraphs were supposed to start the final entry in the A-Z Challenge before heading off on my travels around Africa but time sort of got away from me.

As tempting as it was, listening to loads of music and writing an article about it could never really take precedence over packing, jabs, the chance to buy shiny new things (which, in one case, had broken in the first couple of months) and the need to move out of my flat, unearthing the magical Latvian pepper in the process.

Think the intention, given the opening Half Man Half Biscuit quote and the mere fact a picture of the pepper was taken on my phone, was to recite a few tales of the meals we rustled up on the Trans-Siberian – essentially, anything we could make by just adding hot water to (lots of Smash, noodles and soup, often combined) and spray pepper all over.

It sort of worked, especially when washed down by a fair amount of vodka.

Thankfully, the food our revolving cook groups created during the past 10 months on the road was, mainly, better. Surprisingly so, given the limited budget to feed up to 22 people with three meals a day over an open fire in whatever the elements could throw at us at whichever remote bush camp we had pitched up in.

A lot of eggs, a lot of veg (leaving meat out altogether can be easier and cheaper when you have to do a veggie alternative anyway), a lot of potatoes (especially from our cook group, even for breakfast), a lot of stir fries (anything thrown in a wok and stirred about a bit), a lot of stews (anything thrown in a pot and stirred about a bit) and a fair amount of curries (anything thrown in a wok or a pot with some spices and stirred about a bit).

There was only one truly inedible meal – and that merely down to too much (way too much) spice – and a few that failed to deliver, mainly down to personal taste (one which had peanut sauce sticking my tongue to the roof of my mouth for much of the night).

Everything Everything
Everything Everything

But any complaints about to the food were mainly down to our shortcomings as cooks and, on the whole, my diet was much better than back home (even without the magic pepper) as it finally featured breakfast on a daily basis, regular ingestion of green, healthy stuff and much less snacking – courtesy of a self-imposed rule not to stockpile food on the truck.

Admittedly, my consumption of fizzy drinks crammed full of sugar rose – some achievement given how high it already was – but the outcome of all this is the need for a new wardrobe, particularly trousers, as all my clothes are now too big.

The jeans bought this week are four inches smaller than the ones which went round Africa and needed holding up well before the end and that flat clearout just before the off included throwing out any clothes which were deemed too small and never likely to be much use again.

D’oh!

One thing which has not shrunk – nor, until a mass catch-up of stuff missed over the last few months, grown – has been my iPod collection, which remains at 11,638 tracks.

And until today, the trek through those tracks from A-Z had not progressed any further after the decision to put it on hold while away, given the difficulties in keeping up with one blog while away, let alone a second subject.

Before the off, Public Enemy kicked off this latest section which also rattled through Steve Earle’s Copperhead Road, a couple from Half Man Half Biscuit (Corgi Registered Friends and The Coroner’s Footnote) and rounded off with Cough Cough by Everything Everything – owners of possibly the poshest and most-inept moshpit in history.

The Decemberists, Cambridge. 03/10/07
The Decemberists

In the unrealistic hope of actually finishing the C tracks before departure, there was a catch-up on the then newly-installed ABC tracks which had joined the collection, mainly from Johnny Marr, more HMHB, Weezer and some Gaslight Anthem.

And then it stopped… until a couple of bus rides (still to replace the car scrapped before departing) got things up and running again through the 1900 mark with Cousins by Vampire Weekend, followed by the excellent Jason Isbell – whose latest is high on the list of catch-up albums – with Cover Me Up.

The Decemberists then took over. Totally. Their three-part The Crane Wife opus – based on an old Japanese folk tale and forming the backbone of the album of the same name – goes on for a fair amount of time in its own right.

Throw in the live version of all three parts and it will take you all the way from Cheltenham to Gloucester and beyond.

But after 40 weeks around Africa and with close to 10,000 tracks still to go, that’s not really very long.

And at least there will be no trying to remember what I was going on about.

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