AS well as a meander through my musical tastes over the past three decades or so, this journey through my iPod is demonstrating how much the way we listen to and collect music has changed.
Now it is almost exclusively digital, although off to my left are two tall CD towers packed with what we were told at the time was the unbreakable future of listening to music.
The CDs now largely sit gathering dust, all but a discarded few sitting in the iPod we are wandering through that sits neatly in my pocket, while under the desk is a much smaller collection of vinyl.
Records are much more desirable than a digital file or a CD, complete with sleeve designs, liner notes and an inherent coolness. Shopping for vinyl was so much more fun, flicking through rack after rack and emerging with your chosen offering in a proper bag, as opposed to soulless CDs on glistening display stands – once you have found your way past the discounted DVD box sets.
But that was only a short stint in my music-buying past, having not had a record player until well into my teens – the only access being to my Dad’s (strictly off limits) and my sister’s (who was never keen on me using it).
Without any records to call my own, there was also very little to play as neither collection which went with them is likely to be replicated on my iPod.
So for most of my teenage years, the music came in the form of tapes, either on one of the “portable music systems” my Dad managed to win by selling enough of the maker’s power tools (we also had a huge collection of plastic sponsored pint glasses) or, latterly, a string of Walkmans.
Look at them now and they look antique and positively huge next to an iPod, but the arrival of my first Walkman was an amazing moment – although maybe not for my parents, who didn’t realise my insistence on cranking the volume up making sure the stereo is far from personal on cheaper headphones in the back of the car.
Still have no idea if it actually did anything, but my first Walkman came complete with graphic equaliser, while a later one had a radio. It fell apart and was huge, but it had a radio.
And the cassette collection also saw the dawn of my compulsion to store my music in alphabetical order (the DVDs to my left are exactly the same while the bookcase is broken down, in the main, into categories. Then A-Z).
But the need to alphabetise – in stark contrast to the way everything else is arranged, or not, in my life – at least stems from a practical reason.
The cassettes were stored in a growing number of briefcase-style boxes by the side of my bed, each with its own spot so they could be found while lying on the bed with my headphones on in the dark.
Back in the early days, there were not that many so remembering the order was easy, but it was well into the third box before the plan started to fall apart – even with new arrivals changing the positions – but by then there was a record player and a new source of music.
Which cassette was first is not quite so clear. The first two, bought with my own money, were The Hurting by Tears for Fears and The Jam’s Snap, just not sure in what order – back in the days when buying an album involved saving up pocket money.
Tears for Fears haven’t made it to the digital age, but The Jam are dotted through my collection with their parting shot Beat Surrender cropping up in this latest section, which takes us from (more) Half Man Half Biscuit to a new arrival from First Aid Kit.
We also had Begin The Begin by REM, from the first album of theirs to sit in those cassette boxes. Life’s Rich Pageant was bought, on special offer, one Saturday from the basement at Boots, back in the days when they sold music, and sparked a journey through their back catalogue which provided a huge part of the soundtrack to my life for the next decade and beyond.
It was not a total leap of faith. Closing track Superman had filled the same role on a C90 provided by my brother-in-law – back in the days when he was just my sister’s boyfriend – which provided introductions or widened my knowledge of the likes of Sonic Youth, Husker Du, The Replacements and a whole generation of guitar bands which will pop up with varying regularity before we get to Z.
Not on that tape, but another key part of that teenage soundtrack (possibly the key part before slightly edged aside by REM) were Echo and the Bunnymen, who popped up with Bedbugs and Ballyhoo. Possibly their last great song, there were two versions by the whole band and one live rendition from Ian McCulloch.
There were other vintage classics with Behind The Wall of Sleep by The Smithereens and Being Around from The Lemonheads, some Bees and Beetles (one of each from Warpaint) and a couple of new discoveries.
Behind A Wall from Blood Red Shoes was a discovery worth revisiting (acquired amid a recent downloading binge) and took the 750th spot on the list, courtesy of being shunted back a few places by another bout of downloads which included the new album by First Aid Kit. The Bell suggests that too is worth a longer listen.